Merging Past & Present with Xiong Da: An Interview with Zou Yuanhua

My name is Zou Yuanhua. I have been deeply involved in the design field at Wande Chang. The reason why I focused on the company's design was that I firmly believed that good design can bridge the gap between traditional and modern needs.

For instance, integrating Chinese cultural connotations into products can bring about positive changes. Especially in creating solutions that are tailored to users and adapted to the elderly, design becomes a powerful bridge connecting culture and life.

It's a huge honour! The French Design Awards are globally influential. For me, this recognition is not only an affirmation of my design philosophy that integrates Chinese cultural elements and human-centred concepts, like the "Xiong Da" product's combination of traditional culture and aging - friendly features, but also a motivation to keep exploring how design can better connect culture with life needs, and bring more innovative and warm - hearted works.

For my career, it's a strong validation, boosting my confidence to keep exploring the integration of culture and design. For the team at Wonder Chief, it's a huge morale booster, making us more passionate about creating user-centred, culturally-rich designs. For the agency, it enhances our reputation in the international design arena.

So far, it has brought opportunities like more clients seeking culturally-themed design collaborations and invitations to share our design concepts at industry events.

Experimentation is crucial in my creative process as it helps break boundaries. For the "Xiong Da" product, we experimented with combining traditional Chinese cultural elements (like cultural connotations from ancient stories) with modern ageing-friendly design. We tested different material combinations to ensure both cultural expression and user-friendly experience, which finally made the product stand out.

For the “Xiong Da” project, an unusual source of inspiration was traditional Chinese elderly care customs and stories of inter-generational love within families. These intangible cultural elements, which are not typical design references, guided us to infuse cultural warmth and humanistic care into the product, making it more than just a physical item but a carrier of heritage.

I hope more people understand that design is not just about the final appearance; it's a process of continuous exploration and integration. For example, in the “Xiong Da” design, we combined cultural inheritance, user needs (especially for the elderly), and technical feasibility. It involves multiple iterations, from understanding cultural connotations to testing materials, and every step is to create a work that truly connects with people and culture.

In projects like “Xiong Da”, I first deeply communicate with clients to align on core values, such as integrating Chinese culture and caring for the elderly. Then, I explain my design ideas based on these values, seeking a balance. It's about making clients understand that our ideas can better meet market and user needs, creating a win-win situation.