{"id":40463,"date":"2025-07-14T10:30:00","date_gmt":"2025-07-14T10:30:00","guid":{"rendered":"https:\/\/muse.international\/?p=40463"},"modified":"2025-06-23T02:53:28","modified_gmt":"2025-06-23T02:53:28","slug":"interview-aliace-uesan-lpa-winner","status":"publish","type":"post","link":"https:\/\/muse.international\/index\/interview-aliace-uesan-lpa-winner\/","title":{"rendered":"Not What You See, But How You See It | Inside the Process of Aliace Uesan"},"content":{"rendered":"\n

Aliace Uesan is a Japan-based photographer whose journey began with a telescope and a deep fascination for the stars. Known for her technically adventurous style, he captures everything from kimono portraits to night skies using uncommon methods that challenge traditional photography norms.<\/p>\n\n\n\n

Aliace Uesan Q1<\/h4>\n\n\n\n

Thank you. I’m a photographer based in Japan, originally inspired by the night sky. I began by visually observing stars through a telescope, but soon felt the desire to capture and preserve those views through photography. From there, my interests expanded\u2014especially into traditional kimono portraits, which I often shoot and wear myself.<\/p>\n\n\n\n

While I specialise in starry skies and Japanese culture, I actively explore other genres such as macro, animals, architecture, and motion. What truly drives me is the challenge of using techniques that are uncommon, unnoticed, or even avoided. I seek to create images that feel unfamiliar, not by subject, but through the way they are made.<\/p>\n\n\n\n

Today, I work across multiple genres without confining myself to one category. My goal is to share a technically driven and expressive approach to photography, offering new perspectives through methods that transcend convention.<\/p>\n\n\n\n

Q2<\/h4>\n\n\n\n

Through these two awarded works\u2014Tokyo Gate Bridge and Planet Earth\u2014I aimed to present both the man-made and the natural worlds from a unified artistic perspective. Tokyo Gate Bridge captures the rhythm of engineered design and urban motion, using a 1200mm lens to compress light, structure, and time into a single visual flow. Planet Earth, on the other hand, places a volcanic cinder cone beneath the vast Milky Way, expressing the raw force of geology beneath cosmic wonder.<\/p>\n\n\n\n

By juxtaposing human creation with natural majesty, I hoped to invite viewers to reflect on the balance between civilisation and the universe. Winning with both pieces reaffirms my belief that photography is a language capable of bridging dualities\u2014art and science, reality and abstraction. This award gives me the confidence to keep pushing that boundary.<\/p>\n\n\n\n

Q3<\/h4>\n\n\n\n

To propose a new photographic approach, it’s not enough to be unconventional\u2014you must meet a minimum threshold of visual quality to gain recognition and empathy. I view photography contests as a metric that balances self-expression with external validation. They offer a framework where technique and concept must co-exist.<\/p>\n\n\n\n

For that reason, I only consider submission when both quality and approach are aligned. I assess whether the work meets a baseline of technical excellence and whether its conceptual intent offers something disruptive or unexpected. If a particular contest\u2019s character aligns\u2014or contrasts meaningfully\u2014with the piece, and the match feels precise, then I choose to submit.<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n

<\/i><\/a><\/i><\/a><\/i><\/a><\/p>\n\n\n\n

here<\/a>.<\/em><\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

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