{"id":25930,"date":"2024-04-05T01:30:04","date_gmt":"2024-04-05T01:30:04","guid":{"rendered":"https:\/\/muse.international\/?p=25930"},"modified":"2024-09-10T03:18:23","modified_gmt":"2024-09-10T03:18:23","slug":"interview-with-anais-kim-from-south-korea","status":"publish","type":"post","link":"https:\/\/muse.international\/index\/interview-with-anais-kim-from-south-korea\/","title":{"rendered":"Interview with Anais Kim from South Korea"},"content":{"rendered":"\n

Anais Kim is a graphic designer and artist at the XIV Biennale. Her work extends beyond the system to areas such as design symbols, motions, and typography. She enjoys freedom, and her book questions design thoughts and human relationships with everyday objects.<\/p>\n\n\n\n

Q1. Please give us a brief bio of yourself and your design background.<\/strong><\/h5>\n\n\n\n

Hi, my name is Anais Kim. I am a Graphic designer and artist of the XIV Biennale. The artist’s motif as a stainless steel work extends beyond the system to a diverse range of areas including design symbols, motions, and typography.<\/p>\n\n\n\n

Q2. What made you become\/why did you choose to become a designer\/artist?<\/strong><\/h5>\n\n\n\n

What do I stand for? Liberation and movement, also lining favourites. As a graphic designer and part artist, my publishing book questions about design thoughts, and human relationship between everyday objects.<\/p>\n\n\n\n

Q3. Tell us more about your business\/company, job profile, and what you do.<\/strong><\/h5>\n\n\n\n

On site plans, I always look for solutions to fill relationships with everyday objects. Geometric tools become possible in terms of productability and focus primarily on detailed gestures for impact. When reducing the axis in size, amount, or extent by careful selection of steps. Organising project objectives with stakeholders by scheduling, assembling, and publishing.<\/p>\n\n\n\n

Q4. What does \u201cdesign\u201d mean to you?<\/strong><\/h5>\n\n\n\n

These design decisions, perhaps, could reflect the idea of the concept. The process is to turn them into symbols.<\/p>\n\n\n\n

Q5<\/strong>. What’s your favorite kind of design and why?<\/strong><\/h5>\n\n\n\n

The objective stemmed from finding ways of ordering through exhibition works. Recently awarded works of art could become separate from previous projections and exhibitions. The following project seeks ways of ordering.<\/p>\n\n\n\n

Winning Entry<\/p>\n\n\n\n

In Hatofkk’s motif, the design object reflects a luminous time. Designed by Anais Kim. Made to order.
Material: Stainless steel Moduled and integrated. Dimensions: ? 44cm, H: 42CM \u2026
(Read more at French Design Awards<\/a>)<\/p>\n\n\n\n

Read more about this interview<\/a> with Yuchun Lai from China, the Gold Winner of the 2024 French Design Awards.<\/em><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Anais Kim is a graphic designer and artist at the XIV Biennale. Her work extends beyond the system to areas such as design symbols, motions, and [\u2026]<\/span><\/p>\n","protected":false},"author":20,"featured_media":25937,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[372,540],"tags":[360,528,382],"yoast_head":"\nInterview with Anais Kim from South Korea<\/title>\n<meta name=\"description\" content=\"Winner interview with Anais Kim from South Korea, Silver Winner of the 2024 French Design Awards. 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