1Congratulations on winning the MUSE Design Awards! Can you introduce yourself and share about what inspired you to pursue design as a career?
I’m a product designer driven by the belief that design is a poetic solution to life’s puzzles. My education taught me methodology, but what truly inspires me is observing daily details—how hands grip cups on subways, how old objects become planters. These moments prove design must weave empathy between people and life. To love life is to design with soul.
2What does being recognized in the MUSE Design Awards mean to you?
The MUSE Design Awards is a global passport for design philosophy. It not only certifies innovation but also affirms that modern interpretations of Eastern aesthetics can transcend cultural barriers. Design is more than objects—it’s a silent dialogue between civilizations.
3How has this achievement impacted your career, team, or agency, and what opportunities has it brought so far?
This achievement enhances the global credibility of our pedagogical innovation and industry-academia integration. For instance, my curriculum framework, centered on the "theory-practice-iteration" methodology, guided student projects such as modular emergency medical cabins published in national innovation reports, validating interdisciplinary approaches.
Works archived in global sustainable design databases accelerated green technology R&D with enterprises, providing empirical pathways for educational reform. By integrating traditional craftsmanship with modern technology—such as material regeneration and digital tools—we addressed community waste challenges and generated patented solutions, aligning with global sustainability trends.
Cultural symbol redesigns and inclusive functionality innovations preserved heritage while fostering social responsibility, empowering students to excel in cross-cultural competitions.
4What role does experimentation play in your creative process? Can you share an example?
Experimentation drives form innovation through user role simulation and prototype testing. For example, designing a blind-friendly radio involved simulating visual impairment to create a weighted, touch-optimized shape. Similarly, wireless interface trials for SKYWORTH TV led to a detachable base design, which was acclaimed internationally.
5What's the most unusual source of inspiration you've ever drawn from for a project?
The most unconventional inspiration came from the yin-yang interlocking in ancient Chinese mortise-and-tenon joints. By merging modular geometry with Dehua porcelain, the dual-square structure embodies both philosophical harmony ("unity of heaven and earth") and functional innovation.
6What’s one thing you wish more people understood about the design process?
The key is the systematic transformation from concept to product. Take the Dehua porcelain square tea set: material limits (0.6mm thinness through 1380°C firing), functional-aesthetic balance (45° spout angle for water flow), and cultural translation (modular geometry inspired by mortise-tenon philosophy). Each step blends technical rigor with cultural reinterpretation
7How do you navigate the balance between meeting client expectations and staying true to your ideas?
The balance lies in stratifying needs and guiding with expertise. Prioritize core demands (e.g., functionality, cultural codes) over aesthetic preferences through early dialogue. For the Dehua porcelain set, modular square forms fulfilled the philosophical need for 'harmony' (core need), while minimalist geometry and 1380°C firing data validated creative integrity.
8What were the challenges you faced while working on your award-winning design, and how did you overcome them?
Key challenges included ultra-thin porcelain stability (0.6mm under 1380°C firing) and modernizing mortise-tenon philosophy. These were overcome through modular geometry, AI-generated prototyping for form validation, and iterative user testing on functional details like spout angles.
9How do you recharge your creativity when you hit a creative block?
I reignite creativity by shifting perspectives and experimenting with action. For the Dehua porcelain set, I: changed environments (studying geometric patterns in architecture), cross-pollinated disciplines (translating mortise-tenon into modular forms), and embraced imperfect prototypes (iterating through 1380°C firing trials). Action dissolves creative blocks.
10What is an advice that you would you give to aspiring designers aiming for success?
Focus on uncovering core needs (e.g., mortise-tenon philosophy for functional harmony), cross-domain fusion (mathematical ratios + craft rigor), and embracing iterative validation (data-driven firing at 1380°C). Success = precision × interdisciplinary vision × technical resilience.
11What's one question you wish people would ask you about your work, and what's your answer?
How do we translate intangible culture into design?
Answer: By distilling symbolic codes (e.g., mortise-tenon as a collaboration philosophy) and embedding them into modular geometry. Example: The Dehua porcelain set merges structural harmony with minimalist forms, validated by 1380°C firing data, proving cultural vitality in modern life.
